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Luther's 95 Theses — Martin Luther’s Disputatio pro declaratione virtutis indulgentiarum of 1517, commonly known as the Ninety-Five Theses, is considered the central document of the Protestant Reformation. Its complete title reads: “Out of love and zeal for clarifying the truth, these items written below will be debated at Wittenberg. Reverend Father Martin Luther, Master of Arts and of Sacred Theology and an official professor at Wittenberg, will speak in their defense. He asks this in the matter: That those who are unable to be present to debate with us in speech should, though absent from the scene, treat the matter by correspondence. In the Name of Our Lord Jesus Christ. Amen.” The document went on to list 95 clerical abuses, chiefly relating to the sale of indulgences (payment for remission of earthly punishment of sins) by the Roman Catholic Church. Luther (1483–1546), a German priest and professor of theology, became the most important figure in the great religious revolt against the Catholic Church known as the Reformation. While he intended to use the 95 theses as the basis for an academic dispute, his indictment of church practices rapidly spread, thanks to the then still-new art of printing. By the end of 1517, three editions of the theses were published in Germany, in Leipzig, Nuremberg, and Basel, by printers who did not supply their names. It is estimated that each of these early editions was of about 300 copies, of which very few survived. This copy in the collections of the Berlin State Library was printed in Nuremberg by Hieronymus Höltzel. It was discovered in a London bookshop in 1891 by the director of the Berlin Kupferstichkabinett (Museum of Prints and Drawings) and presented to the Royal Library by the Prussian Ministry for Education and Culture.
Photo Credit: By Martin Luther - http://digital.staatsbibliothek-berlin.de/werkansicht/?PPN=PPN644115580&PHYSID=PHYS_0001, Public Domain, https://commons.wikimedia.org/w/index.php?curid=47482515
Luther's 95 Theses Martin Luther’s Disputatio pro declaratione virtutis indulgentiarum of 1517, commonly known as the Ninety-Five Theses, is considered the central document of the Protestant Reformation. Its complete title reads: “Out of love and zeal for clarifying the truth, these items written below will be debated at Wittenberg. Reverend Father Martin Luther, Master of Arts and of Sacred Theology and an official professor at Wittenberg, will speak in their defense. He asks this in the matter: That those who are unable to be present to debate with us in speech should, though absent from the scene, treat the matter by correspondence. In the Name of Our Lord Jesus Christ. Amen.” The document went on to list 95 clerical abuses, chiefly relating to the sale of indulgences (payment for remission of earthly punishment of sins) by the Roman Catholic Church. Luther (1483–1546), a German priest and professor of theology, became the most important figure in the great religious revolt against the Catholic Church known as the Reformation. While he intended to use the 95 theses as the basis for an academic dispute, his indictment of church practices rapidly spread, thanks to the then still-new art of printing. By the end of 1517, three editions of the theses were published in Germany, in Leipzig, Nuremberg, and Basel, by printers who did not supply their names. It is estimated that each of these early editions was of about 300 copies, of which very few survived. This copy in the collections of the Berlin State Library was printed in Nuremberg by Hieronymus Höltzel. It was discovered in a London bookshop in 1891 by the director of the Berlin Kupferstichkabinett (Museum of Prints and Drawings) and presented to the Royal Library by the Prussian Ministry for Education and Culture.
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Martin Luther
Photo Credit: By Lucas Cranach the Elder - This file was derived from: Luther46c.jpg, Retouched version of faithful photographic reproduction, (from source file), Public Domain, https://commons.wikimedia.org/w/index.php?curid=74000573
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Johannes Gutenberg
Photo Credit: By http://www.sru.edu/depts/cisba/compsci/dailey/217students/sgm8660/Final/, Public Domain, https://commons.wikimedia.org/w/index.php?curid=31396
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Mozart — Drawing of Mozart in silverpoint, made during Mozart's visit to Dresden, April 1789
Photo Credit: By Dora Stock - http://www.thedailybeast.com/articles/2013/02/09/what-mozart-really-looked-like-14-portraits-of-the-composer-photos-music.html, Public Domain, https://commons.wikimedia.org/w/index.php?curid=666045
Mozart Drawing of Mozart in silverpoint, made during Mozart's visit to Dresden, April 1789
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A Masonic lodge meeting of Mozart's day, 1782 — The inside of what is thought to be the lodge New Crowned Hope (Zur Neugekrönten Hoffnung) in Vienna. It is believed that Wolfgang Amadeus Mozart is depicted at the extreme right, sitting next to his close friend Emanuel Schikaneder.
Photo Credit: By Ignaz Unterberger (1748-1797) - http://mozart2051.tripod.com/masonic_level.htm, Public Domain, https://commons.wikimedia.org/w/index.php?curid=19552168
A Masonic lodge meeting of Mozart's day, 1782 The inside of what is thought to be the lodge New Crowned Hope (Zur Neugekrönten Hoffnung) in Vienna. It is believed that Wolfgang Amadeus Mozart is depicted at the extreme right, sitting next to his close friend Emanuel Schikaneder.
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Johannes Brahms, c. 1872
Photo Credit: By Unknown - https://quintessentialruminations.wordpress.com/2014/09/09/johannes-brahms-a-life-in-photos/, Public Domain, https://commons.wikimedia.org/w/index.php?curid=53924211
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Ludwig van Beethoven (1820)
Photo Credit: By Joseph Karl Stieler - http://www.fraunhofer.de/archiv/presseinfos/pflege.zv.fhg.de/german/press/pi/pi2002/08/md_fo6a.html, Public Domain, https://commons.wikimedia.org/w/index.php?curid=165990
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Johann Sebastian Bach (aged 61)
Photo Credit: By Elias Gottlob Haussmann - http://www.jsbach.net/bass/elements/bach-hausmann.jpg, Public Domain, https://commons.wikimedia.org/w/index.php?curid=1270015
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Mary Anne Atwood
Photo Credit: By Annie amartya - Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=61901135
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Albert Gallatin Mackey
Photo Credit: By unspcified, Public Domain, https://commons.wikimedia.org/w/index.php?curid=24827423
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Cover of Morals and Dogma — The Double-Headed Eagle of Lagash: emblem of the 33rd° of the Scottish Rite of Freemasonry
Photo Credit:
Cover of Morals and Dogma The Double-Headed Eagle of Lagash: emblem of the 33rd° of the Scottish Rite of Freemasonry