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RickStudent, Philosopher, Writer, Developer
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Self-Portrait, 1640’s
Photo Credit: By Miyamoto Musashi - 島田美術館所蔵, Public Domain, https://commons.wikimedia.org/w/index.php?curid=15377036
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Supposed birthplace of Miyamoto Musashi
Photo Credit: By Drivephotographer - Own work, CC0, https://commons.wikimedia.org/w/index.php?curid=112614857
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Arima Kihei
Photo Credit: http://www.miyamotomusashi.eu/duels/arima-kihei.html
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National seal of the Tokugawa shogunate — The seal used to sign the 1858 Treaty of Amity and Commerce between the Tokugawa Shogunate (Japan) and the USA
Photo Credit: The government of the Tokugawa Shogunate. - Public Domain, https://commons.wikimedia.org/w/index.php?curid=130638638
National seal of the Tokugawa shogunate The seal used to sign the 1858 Treaty of Amity and Commerce between the Tokugawa Shogunate (Japan) and the USA
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26 Martyrs of Japan — was painted by an anonymous Japanese painter in circa 1635. The painting is preserved in the Chiesa del Gesù, Rome, Italy. This painting is relatively large (110 x 220 cm). It was originally a watercolor painted on paper. Only later was it repainted in oil, attached to a canvas and framed, such as it is now to be found today (D’Orazio, 2008). Produced in an unquestionably kirishitan style, the painting depicts 44 Jesuits who were martyred in different ways in Japan, beginning with the first persecution. The painting has three separate levels. The top level represents glory: amid the clouds, and flanked by two angels, rise the figures of Francis Xavier, St Paul Miki and two companion Jesuits crucified in Nagasaki in 1597. They're recognized as martyrs by Rome, Paulo Miki, John Soan de Goto and James Kisai. The second level (middle) shows Christians burned at the stake, decapitated and those who lived in secrecy (hut) or exiled (galleon, abandoned on a shore). The third level (bottom) shows people subjected to the "tormento das covas" (being suspended upside down over a pit). They were tortured by hanging them over a pit filled with excrement. They would cut slits around their temples to release the pressure so they would die slower. The aim was to break the resolve of those who refused to renounce their faith.
Photo Credit: By Anonymous Japanese Master (painter) - Public Domain, https://commons.wikimedia.org/w/index.php?curid=113486630
26 Martyrs of Japan was painted by an anonymous Japanese painter in circa 1635. The painting is preserved in the Chiesa del Gesù, Rome, Italy. This painting is relatively large (110 x 220 cm). It was originally a watercolor painted on paper. Only later was it repainted in oil, attached to a canvas and framed, such as it is now to be found today (D’Orazio, 2008). Produced in an unquestionably kirishitan style, the painting depicts 44 Jesuits who were martyred in different ways in Japan, beginning with the first persecution. The painting has three separate levels. The top level represents glory: amid the clouds, and flanked by two angels, rise the figures of Francis Xavier, St Paul Miki and two companion Jesuits crucified in Nagasaki in 1597. They're recognized as martyrs by Rome, Paulo Miki, John Soan de Goto and James Kisai. The second level (middle) shows Christians burned at the stake, decapitated and those who lived in secrecy (hut) or exiled (galleon, abandoned on a shore). The third level (bottom) shows people subjected to the "tormento das covas" (being suspended upside down over a pit). They were tortured by hanging them over a pit filled with excrement. They would cut slits around their temples to release the pressure so they would die slower. The aim was to break the resolve of those who refused to renounce their faith.
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Catholic Church in Japan
Photo Credit:
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Rōnin
Photo Credit: (c) 2025 alasnome.com
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The Book of Five Rings cover
Photo Credit:
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Go Rin no Sho calligraphed in Kanji — Musashi strove to be as great a master in Japanese calligraphy just as much as he did in swordsmanship
Photo Credit: By Victor falk at English Wikipedia, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=34221020
Go Rin no Sho calligraphed in Kanji Musashi strove to be as great a master in Japanese calligraphy just as much as he did in swordsmanship
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Sasaki (right) engages Miyamoto Musashi on the shores of Ganryū Island — Woodblock print triptych by Utagawa Yoshitora, 1843-1847
Photo Credit: By Yoshifusa Utagawa (active ca. 1840-1860) - Artelino, Public Domain, https://commons.wikimedia.org/w/index.php?curid=86540179
Sasaki (right) engages Miyamoto Musashi on the shores of Ganryū Island Woodblock print triptych by Utagawa Yoshitora, 1843-1847
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Kabuki actor Ohtani Tomoemon as Sasaki — in the ill-fated duel with Miyamoto Musashi at Ganryu Island
Photo Credit: By Ashihiro Harukawa - http://en.wikipedia.org/wiki/Image:Sasaki_kojiro.jpg, Public Domain, https://commons.wikimedia.org/w/index.php?curid=4680724
Kabuki actor Ohtani Tomoemon as Sasaki in the ill-fated duel with Miyamoto Musashi at Ganryu Island