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 was painted by an anonymous Japanese painter in circa 1635. The painting is preserved in the Chiesa del Gesù, Rome, Italy. This painting is relatively large (110 x 220 cm). It was originally a watercolor painted on paper. Only later was it repainted in oil, attached to a canvas and framed, such as it is now to be found today (D’Orazio, 2008). Produced in an unquestionably kirishitan style, the painting depicts 44 Jesuits who were martyred in different ways in Japan, beginning with the first persecution. The painting has three separate levels. The top level represents glory: amid the clouds, and flanked by two angels, rise the figures of Francis Xavier, St Paul Miki and two companion Jesuits crucified in Nagasaki in 1597. They're recognized as martyrs by Rome, Paulo Miki, John Soan de Goto and James Kisai. The second level (middle) shows Christians burned at the stake, decapitated and those who lived in secrecy (hut) or exiled (galleon, abandoned on a shore). The third level (bottom) shows people subjected to the
26 Martyrs of Japan — was painted by an anonymous Japanese painter in circa 1635. The painting is preserved in the Chiesa del Gesù, Rome, Italy. This painting is relatively large (110 x 220 cm). It was originally a watercolor painted on paper. Only later was it repainted in oil, attached to a canvas and framed, such as it is now to be found today (D’Orazio, 2008). Produced in an unquestionably kirishitan style, the painting depicts 44 Jesuits who were martyred in different ways in Japan, beginning with the first persecution. The painting has three separate levels. The top level represents glory: amid the clouds, and flanked by two angels, rise the figures of Francis Xavier, St Paul Miki and two companion Jesuits crucified in Nagasaki in 1597. They're recognized as martyrs by Rome, Paulo Miki, John Soan de Goto and James Kisai. The second level (middle) shows Christians burned at the stake, decapitated and those who lived in secrecy (hut) or exiled (galleon, abandoned on a shore). The third level (bottom) shows people subjected to the "tormento das covas" (being suspended upside down over a pit). They were tortured by hanging them over a pit filled with excrement. They would cut slits around their temples to release the pressure so they would die slower. The aim was to break the resolve of those who refused to renounce their faith.
Photo Credit: By Anonymous Japanese Master (painter) - Public Domain, https://commons.wikimedia.org/w/index.php?curid=113486630
26 Martyrs of Japan was painted by an anonymous Japanese painter in circa 1635. The painting is preserved in the Chiesa del Gesù, Rome, Italy. This painting is relatively large (110 x 220 cm). It was originally a watercolor painted on paper. Only later was it repainted in oil, attached to a canvas and framed, such as it is now to be found today (D’Orazio, 2008). Produced in an unquestionably kirishitan style, the painting depicts 44 Jesuits who were martyred in different ways in Japan, beginning with the first persecution. The painting has three separate levels. The top level represents glory: amid the clouds, and flanked by two angels, rise the figures of Francis Xavier, St Paul Miki and two companion Jesuits crucified in Nagasaki in 1597. They're recognized as martyrs by Rome, Paulo Miki, John Soan de Goto and James Kisai. The second level (middle) shows Christians burned at the stake, decapitated and those who lived in secrecy (hut) or exiled (galleon, abandoned on a shore). The third level (bottom) shows people subjected to the "tormento das covas" (being suspended upside down over a pit). They were tortured by hanging them over a pit filled with excrement. They would cut slits around their temples to release the pressure so they would die slower. The aim was to break the resolve of those who refused to renounce their faith.
Catholic Church in Japan
Photo Credit:
Rōnin
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The Book of Five Rings cover
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Musashi strove to be as great a master in Japanese calligraphy just as much as he did in swordsmanship
Go Rin no Sho calligraphed in Kanji — Musashi strove to be as great a master in Japanese calligraphy just as much as he did in swordsmanship
Photo Credit: By Victor falk at English Wikipedia, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=34221020
Go Rin no Sho calligraphed in Kanji Musashi strove to be as great a master in Japanese calligraphy just as much as he did in swordsmanship
Woodblock print triptych by Utagawa Yoshitora, 1843-1847
Sasaki (right) engages Miyamoto Musashi on the shores of Ganryū Island — Woodblock print triptych by Utagawa Yoshitora, 1843-1847
Photo Credit: By Yoshifusa Utagawa (active ca. 1840-1860) - Artelino, Public Domain, https://commons.wikimedia.org/w/index.php?curid=86540179
Sasaki (right) engages Miyamoto Musashi on the shores of Ganryū Island Woodblock print triptych by Utagawa Yoshitora, 1843-1847
in the ill-fated duel with Miyamoto Musashi at Ganryu Island
Kabuki actor Ohtani Tomoemon as Sasaki — in the ill-fated duel with Miyamoto Musashi at Ganryu Island
Photo Credit: By Ashihiro Harukawa - http://en.wikipedia.org/wiki/Image:Sasaki_kojiro.jpg, Public Domain, https://commons.wikimedia.org/w/index.php?curid=4680724
Kabuki actor Ohtani Tomoemon as Sasaki in the ill-fated duel with Miyamoto Musashi at Ganryu Island
from the series Biographies of Our Country's Swordsmen (Honchô kendô ryakuden). Woodblock print (nishiki-e). This is the left side of a diptych showing Miyamoto Musashi (right) dressed for travelling looking across at Sasaki Kojiro (left) who stands in profile with clenched fist. These two great swordsmen agreed to fight on April 13, 1612, on Ganryu Island off the coast of Bizen Province.
Sasaki Ganryû (Sasaki Kojiro) — from the series Biographies of Our Country's Swordsmen (Honchô kendô ryakuden). Woodblock print (nishiki-e). This is the left side of a diptych showing Miyamoto Musashi (right) dressed for travelling looking across at Sasaki Kojiro (left) who stands in profile with clenched fist. These two great swordsmen agreed to fight on April 13, 1612, on Ganryu Island off the coast of Bizen Province.
Photo Credit: By Utagawa Kuniyoshi (Japanese, 1797–1861) - Museum of Fine Arts Boston - https://web.archive.org/web/20210516084701/https://collections.mfa.org/objects/213420, Public Domain, https://commons.wikimedia.org/w/index.php?curid=105363807
Sasaki Ganryû (Sasaki Kojiro) from the series Biographies of Our Country's Swordsmen (Honchô kendô ryakuden). Woodblock print (nishiki-e). This is the left side of a diptych showing Miyamoto Musashi (right) dressed for travelling looking across at Sasaki Kojiro (left) who stands in profile with clenched fist. These two great swordsmen agreed to fight on April 13, 1612, on Ganryu Island off the coast of Bizen Province.
From the series Biographies of Our Country's Swordsmen (Honchô kendô ryakuden). Woodblock print (nishiki-e).
Sasaki Ganryû — From the series Biographies of Our Country's Swordsmen (Honchô kendô ryakuden). Woodblock print (nishiki-e).
Photo Credit: By Utagawa Kuniyoshi (Japanese, 1797–1861) - Museum of Fine Arts Boston - https://web.archive.org/web/20210516084701/https://collections.mfa.org/objects/213420, Public Domain, https://commons.wikimedia.org/w/index.php?curid=105363807
Sasaki Ganryû From the series Biographies of Our Country's Swordsmen (Honchô kendô ryakuden). Woodblock print (nishiki-e).
By London Stereoscopic & Photographic Company - National Portrait Gallery: http://www.npg.org.uk/collections/search/portrait/mw113995/Algernon-Charles-Swinburne?LinkID=mp04389&search=sas&sText=Algernon+Charles+Swinburne&role=sit&rNo=10
Algernon Charles Swinburne in 1865 — By London Stereoscopic & Photographic Company - National Portrait Gallery: http://www.npg.org.uk/collections/search/portrait/mw113995/Algernon-Charles-Swinburne?LinkID=mp04389&search=sas&sText=Algernon+Charles+Swinburne&role=sit&rNo=10
Photo Credit: Public Domain, https://commons.wikimedia.org/w/index.php?curid=26673205
Algernon Charles Swinburne in 1865 By London Stereoscopic & Photographic Company - National Portrait Gallery: http://www.npg.org.uk/collections/search/portrait/mw113995/Algernon-Charles-Swinburne?LinkID=mp04389&search=sas&sText=Algernon+Charles+Swinburne&role=sit&rNo=10
How many Triangles - solution
Photo Credit: unknown