Coronation of Philip II Augustus — in the presence of Henry II of England Photo Credit: By Master of the City of Ladies - Vincent of Beauvais, Le Miroir Historial (Vol. IV)., Public Domain, https://commons.wikimedia.org/w/index.php?curid=9893558
Philip II of France — cropped A 19th-century portrait by Louis-Félix Amiel Photo Credit: By Luclaf - http://www.culture.gouv.fr/public, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=30929266
Royal Arms of England (1198 - 1340) — Photo Credit: By SodacanThis W3C-unspecified vector image was created with Inkscape. - Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=10953091
Richard I being anointed during his coronation in Westminster Abbey — Photo Credit: By Matthew Paris - A 13th-century chronicle. Chetham MS Ms 6712 (A.6.89), fol.141r, Public Domain, https://commons.wikimedia.org/w/index.php?curid=15543148
Effigy of Richard I — in the church of Fontevraud Abbey Photo Credit: By Adam Bishop - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=17048652
Richard I — Richard I in profile, funerary effigy above the tomb containing his heart in Rouen Cathedral (early 13th century) Photo Credit: By Giogo - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=19144076
Richard I
Richard I in profile, funerary effigy above the tomb containing his heart in Rouen Cathedral (early 13th century)
Innocent III — honored by the U.S. House of Representatives Photo Credit: By Sculpture by Joseph Kiselewski; photo by the Architect of the Capitol - http://www.aoc.gov/capitol-hill/relief-portrait-plaques-lawgivers/innocent-iii, Public Domain, https://commons.wikimedia.org/w/index.php?curid=1355174
Innocent III
honored by the U.S. House of Representatives
Saladin accepting the surrender of Guy of Lusignan — Saladin and Guy de Lusignan after battle of Hattin in 1187 Photo Credit: By Said Tahsine (1904-1985 Syria) - http://www.discover-syria.com/photo/11177/من%20أعمال%20سعيد%20تحسين, Public Domain, https://commons.wikimedia.org/w/index.php?curid=4645420
King Guy de Lusignan and King Saladin — Common consensus is that Jan Lievens used the Two biblical Magi from Peter Paul Rubens as the basis for this artpiece. It remains unclear though whether Rubens used the depiction of King Saladin and King Guy de Lusignan as the basis for the Adoration of the Magi. Some scholars argue for the latter given the clear difference in skin colour between the Magi and the fact that one of the Magi is chained. Photo Credit: By Jan Lievens - Private collection, Public Domain, https://commons.wikimedia.org/w/index.php?curid=20291578
King Guy de Lusignan and King Saladin
Common consensus is that Jan Lievens used the Two biblical Magi from Peter Paul Rubens as the basis for this artpiece. It remains unclear though whether Rubens used the depiction of King Saladin and King Guy de Lusignan as the basis for the Adoration of the Magi. Some scholars argue for the latter given the clear difference in skin colour between the Magi and the fact that one of the Magi is chained.
Guy of Lusignan — cropped Photo Credit: By François-Édouard Picot - [1], Public Domain, https://commons.wikimedia.org/w/index.php?curid=890461