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1888 paintings, showcasing the optical effects of the eruption on the sky over time
Krakatoa Sky — 1888 paintings, showcasing the optical effects of the eruption on the sky over time
Photo Credit: By Krakatoa Committee of the Royal Society, G. J. Symons (editor) - Houghton Library, Public Domain, https://commons.wikimedia.org/w/index.php?curid=37216427
Krakatoa Sky 1888 paintings, showcasing the optical effects of the eruption on the sky over time
Image published as Plate 1 in The eruption of Krakatoa, and subsequent phenomena. Report of the Krakatoa Committee of the Royal Society (London, Trubner & Co., 1888).,
An 1888 lithograph of the 1883 eruption of Krakatoa — Image published as Plate 1 in The eruption of Krakatoa, and subsequent phenomena. Report of the Krakatoa Committee of the Royal Society (London, Trubner & Co., 1888).,
Photo Credit: Public Domain, https://commons.wikimedia.org/w/index.php?curid=7696837
An 1888 lithograph of the 1883 eruption of Krakatoa Image published as Plate 1 in The eruption of Krakatoa, and subsequent phenomena. Report of the Krakatoa Committee of the Royal Society (London, Trubner & Co., 1888).,
Coral block thrown onto the shore of Jawa after the Krakatau eruption of 1883
Coral thrown to Java — Coral block thrown onto the shore of Jawa after the Krakatau eruption of 1883
Photo Credit: By Tropenmuseum, part of the National Museum of World Cultures, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=8579093
Coral thrown to Java Coral block thrown onto the shore of Jawa after the Krakatau eruption of 1883
The change in geography after the eruption
1883 eruption of Krakatoa — The change in geography after the eruption
Photo Credit: By ChrisDHDR - Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=6753740
1883 eruption of Krakatoa The change in geography after the eruption
cropped from Krakatoa featured in 100-rupiah banknote
Krakatoa — cropped from Krakatoa featured in 100-rupiah banknote
Photo Credit: By Bank Indonesia - http://www.banknote.ws/COLLECTION/countries/ASI/INO/INO.htm, Public Domain, https://commons.wikimedia.org/w/index.php?curid=25324875
Krakatoa cropped from Krakatoa featured in 100-rupiah banknote
Representations from Riccioli's 1665 Reformed Astronomy
Saturn's changing appearance — Representations from Riccioli's 1665 Reformed Astronomy
Photo Credit: By G. B. Riccioli - Almagest Novum/Astronomia Reformata of 1651/1665, Public Domain, https://commons.wikimedia.org/w/index.php?curid=16707216
Saturn's changing appearance Representations from Riccioli's 1665 Reformed Astronomy
Named after King Alfonso X of Castile by Riccioli in 1651 (originally
Lunar Crater Alphonsus — Named after King Alfonso X of Castile by Riccioli in 1651 (originally "Alphonsus Rex") Mosaic of photos by Lunar Reconnaissance Orbiter, made with Wide Angle Camera. Size of the image is 170×170 km, north is approximately up, illumination is from the east.
Photo Credit: By NASA (image by Lunar Reconnaissance Orbiter) - JMARS, Public Domain, https://commons.wikimedia.org/w/index.php?curid=45822635
Lunar Crater Alphonsus Named after King Alfonso X of Castile by Riccioli in 1651 (originally "Alphonsus Rex") Mosaic of photos by Lunar Reconnaissance Orbiter, made with Wide Angle Camera. Size of the image is 170×170 km, north is approximately up, illumination is from the east.
The Church of the Gesù, located in Rome, is the mother church of the Jesuits.
Jesuits' Mother Church — The Church of the Gesù, located in Rome, is the mother church of the Jesuits.
Photo Credit: By Alessio Damato - File:Chiesa gesu facade.jpg (cropped), CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=28134296
Jesuits' Mother Church The Church of the Gesù, located in Rome, is the mother church of the Jesuits.
The design is attributed to Ignatius of Loyola (1541). Early modern depictions sometimes show a plain cross, or various baroque ornamentation the three nails are sometimes shown piercing a heart  the number of rays is often 32 as here, but sometimes 12, 16 or 24. Sometimes surrounded by the inscription et vocatum est nomen eius Iesus (Luke 2:21)
Emblem of the Jesuits — The design is attributed to Ignatius of Loyola (1541). Early modern depictions sometimes show a plain cross, or various baroque ornamentation the three nails are sometimes shown piercing a heart the number of rays is often 32 as here, but sometimes 12, 16 or 24. Sometimes surrounded by the inscription et vocatum est nomen eius Iesus (Luke 2:21)
Photo Credit: By Moranski - Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=5596804
Emblem of the Jesuits The design is attributed to Ignatius of Loyola (1541). Early modern depictions sometimes show a plain cross, or various baroque ornamentation the three nails are sometimes shown piercing a heart the number of rays is often 32 as here, but sometimes 12, 16 or 24. Sometimes surrounded by the inscription et vocatum est nomen eius Iesus (Luke 2:21)
Illustration from Riccioli's 1651 New Almagest showing the effect a rotating Earth should have on projectiles. When the cannon is fired at eastern target B, cannon and target both travel east at the same speed while the ball is in flight. The ball strikes the target just as it would if the Earth was immobile. When the cannon is fired at northern target E, the target moves more slowly to the east than the cannon because the ground moves more slowly at more northern latitudes (and hardly moves at all near the pole). Thus the ball follows a curved path over the ground, not a diagonal, and strikes to the the east, or right, of the target at G.
Riccioli's Projectile Argument — Illustration from Riccioli's 1651 New Almagest showing the effect a rotating Earth should have on projectiles. When the cannon is fired at eastern target B, cannon and target both travel east at the same speed while the ball is in flight. The ball strikes the target just as it would if the Earth was immobile. When the cannon is fired at northern target E, the target moves more slowly to the east than the cannon because the ground moves more slowly at more northern latitudes (and hardly moves at all near the pole). Thus the ball follows a curved path over the ground, not a diagonal, and strikes to the the east, or right, of the target at G.
Photo Credit: By G. B. Riccioli - Almagest Novum/Astronomia Reformata of 1651/1665, Public Domain, https://commons.wikimedia.org/w/index.php?curid=16707214
Riccioli's Projectile Argument Illustration from Riccioli's 1651 New Almagest showing the effect a rotating Earth should have on projectiles. When the cannon is fired at eastern target B, cannon and target both travel east at the same speed while the ball is in flight. The ball strikes the target just as it would if the Earth was immobile. When the cannon is fired at northern target E, the target moves more slowly to the east than the cannon because the ground moves more slowly at more northern latitudes (and hardly moves at all near the pole). Thus the ball follows a curved path over the ground, not a diagonal, and strikes to the the east, or right, of the target at G.
Map of the Moon from G. B. Riccioli's 1651 Almagestum Novum.
Riccioli's Moon Map — Map of the Moon from G. B. Riccioli's 1651 Almagestum Novum.
Photo Credit: By G. B. Riccioli - Almagestum Novum, Public Domain, https://commons.wikimedia.org/w/index.php?curid=16623638
Riccioli's Moon Map Map of the Moon from G. B. Riccioli's 1651 Almagestum Novum.